Mark Twain - Mark Twain's Burlesque Autobiography

Mark Twain's Burlesque Autobiography
Название: Mark Twain's Burlesque Autobiography
Автор:
Жанр: Зарубежная классика
Серии: Нет данных
ISBN: Нет данных
Год: Не установлен
О чем книга "Mark Twain's Burlesque Autobiography"

The book bears no relationship to Twain's actual life. The two short stories present fictional characters who are supposedly part of Twain's lineage.

Бесплатно читать онлайн Mark Twain's Burlesque Autobiography


Burlesque Autobiography

Two or three persons having at different times intimated that if I would write an autobiography they would read it, when they got leisure, I yield at last to this frenzied public demand, and herewith tender my history:

Ours is a noble old house, and stretches a long way back into antiquity. The earliest ancestor the Twains have any record of was a friend of the family by the name of Higgins. This was in the eleventh century, when our people were living in Aberdeen, county of Cork, England. Why it is that our long line has ever since borne the maternal name (except when one of them now and then took a playful refuge in an alias to avert foolishness), instead of Higgins, is a mystery which none of us has ever felt much desire to stir. It is a kind of vague, pretty romance, and we leave it alone. All the old families do that way.

Arthour Twain was a man of considerable note – a solicitor on the highway in William Rufus’ time. At about the age of thirty he went to one of those fine old English places of resort called Newgate, to see about something, and never returned again. While there he died suddenly.

Augustus Twain, seems to have made something of a stir about the year 1160. He was as full of fun as he could be, and used to take his old sabre and sharpen it up, and get in a convenient place on a dark night, and stick it through people as they went by, to see them jump. He was a born humorist. But he got to going too far with it; and the first time he was found stripping one of these parties, the authorities removed one end of him, and put it up on a nice high place on Temple Bar, where it could contemplate the people and have a good time. He never liked any situation so much or stuck to it so long.

Then for the next two hundred years the family tree shows a succession of soldiers – noble, high-spirited fellows, who always went into battle singing; right behind the army, and always went out a-whooping, right ahead of it.

This is a scathing rebuke to old dead Froissart’s poor witticism that our family tree never had but one limb to it, and that that one stuck out at right angles, and bore fruit winter, and summer.

Early in the fifteenth century we have Beau Twain, called “the Scholar.” He wrote a beautiful, beautiful hand. And he could imitate anybody’s hand so closely that it was enough to make a person laugh his head off to see it. He had infinite sport with his talent. But by and by he took a contract to break stone for a road, and the roughness of the work spoiled his hand. Still, he enjoyed life all the time he was in the stone business, which, with inconsiderable intervals, was some forty-two years. In fact, he died in harness. During all those long years he gave such satisfaction that he never was through with one contract a week till government gave him another. He was a perfect pet. And he was always a favorite with his fellow-artists, and was a conspicuous member of their benevolent secret society, called the Chain Gang. He always wore his hair short, had a preference for striped clothes, and died lamented by the government. He was a sore loss to his country. For he was so regular.

Some years later we have the illustrious John Morgan Twain. He came over to this country with Columbus in 1492, as a passenger. He appears to have been of a crusty, uncomfortable disposition. He complained of the food all the way over, and was always threatening to go ashore unless there was a change. He wanted fresh shad. Hardly a day passed over his head that he did not go idling about the ship with his nose in the air, sneering about the commander, and saying he did not believe Columbus knew where he was going to or had ever been there before. The memorable cry of “Land ho!” thrilled every heart in the ship but his. He gazed a while through a piece of smoked glass at the penciled line lying on the distant water, and then said: “Land be hanged, – it’s a raft!”

When this questionable passenger came on board the ship, he brought nothing with him but an old newspaper containing a handkerchief marked “B. G.,” one cotton sock marked “L. W. C.” one woollen one marked “D. F.” and a night-shirt marked “O. M. R.” And yet during the voyage he worried more about his “trunk,” and gave himself more airs about it, than all the rest of the passengers put together.

If the ship was “down by the head,” and would not steer, he would go and move his “trunk” farther aft, and then watch the effect. If the ship was “by the stern,” he would suggest to Columbus to detail some men to “shift that baggage.” In storms he had to be gagged, because his wailings about his “trunk” made it impossible for the men to hear the orders. The man does not appear to have been openly charged with any gravely unbecoming thing, but it is noted in the ship’s log as a “curious circumstance” that albeit he brought his baggage on board the ship in a newspaper, he took it ashore in four trunks, a queensware crate, and a couple of champagne baskets. But when he came back insinuating in an insolent, swaggering way, that some of his things were missing, and was going to search the other passengers’ baggage, it was too much, and they threw him overboard. They watched long and wonderingly for him to come up, but not even a bubble rose on the quietly ebbing tide. But while every one was most absorbed in gazing over the side, and the interest was momentarily increasing, it was observed with consternation that the vessel was adrift and the anchor cable hanging limp from the bow. Then in the ship’s dimmed and ancient log we find this quaint note:

“In time it was discouvered yt ye troblesome passenger hadde gonne downe and got ye anchor, and toke ye same and solde it to ye dam sauvages from ye interior, saying yt he hadde founde it, ye sonne of a ghun!”

Yet this ancestor had good and noble instincts, and it is with pride that we call to mind the fact that he was the first white person who ever interested himself in the work of elevating and civilizing our Indians. He built a commodious jail and put up a gallows, and to his dying day he claimed with satisfaction that he had had a more restraining and elevating influence on the Indians than any other reformer that ever labored among them. At this point the chronicle becomes less frank and chatty, and closes abruptly by saying that the old voyager went to see his gallows perform on the first white man ever hanged in America, and while there received injuries which terminated in his death.

Конец ознакомительного фрагмента.


С этой книгой читают
"A Horse's Tale" is a novel written partially in the voice of Soldier Boy, who is Buffalo Bill's favorite horse, at a fictional frontier outpost with the U.S. 7th Cavalry.
A hilarious and cutting critique of what not to do, this deliciously wicked essay lays out what writers should and must do if they want their fiction to live and breathe ― as Twain's own fiction always does. In "How to Tell a Story," the title piece, Twain takes on such mysteries as the perfectly-timed pause and the uses of the dead-pan mask, and candidly describes his own efforts to hone his platform skills.
"The American Claimant" is a comedy of mistaken identities and multiple role switches―fertile and familiar Mark Twain territory. Its cast of characters include an American enamored of British hereditary aristocracy and a British earl entranced by American democracy.Twain uses this over-the-top comic frame to explore some serious issues as well-such as the construction of self and identity, the role of the press in society, and the moral and socia
"What is Man?" was Twain's most serious, philosophical and private book. He kept it locked in his desk, considered it to be his Bible, and spoke of it as such to friends when he read them passages. He had written it, rewritten it, was finally satisfied with it, but still chose not to release it until after his death. It appears in the form of a dialogue between an old man and a young man who discuss who and what mankind really is and provides a n
Немолодой охотник Аллэн Кватермэн соглашается сопровождать капитана Джона Гуда и сэра Генри Куртиса в опасной экспедиции в раскаленную африканскую пустыню. Отважным путешественникам необходимо отыскать брата благородного сэра Генри, без вести пропавшего при поисках легендарной сокровищницы Соломона. Волею судьбы участники похода сталкиваются с непреодолимыми, на первый взгляд, трудностями. Но искренняя дружба и благородство, смелость и взаимовыру
Преподобный Нил Синайский (Анкирский) (f около 430) – ученик свт. Иоанна Златоуста и великий отец Синайской пустыни. В книге помещены его нравственно-аскетические произведения: «О восьми лукавых духах», «О том, что пребывающие в безмолвии в пустынях преимуществуют пред живущими в городах», «Увещание к монахам», «Мысли, которые человека отводят от тленного и прилепляют к нетленному», «Главы увещательные», «Об учителе и учениках». Преподобный Нил С
Графиня София де Сегюр (1799–1874) родилась в Петербурге. Ее отец Ф.В. Ростопчин (1763–1826) был генерал-лейтенантом, министром иностранных дел при Павле Первом, а в 1812 г. – генерал-губернатором Москвы, организатором московского пожара, вынудившего Наполеона к бесславному отступлению. С 1814 г. семья жила за границей – в Польше, а затем во Франции. 1819 г. София вышла замуж за Евгения Сегюра, правнука знаменитого французского маршала. Граф Рост
«Дымка» – это лучшее произведение, вышедшее из-под пера выдающегося американского писателя и художника Джемса Виля (1892–1942).Действие повести происходит в Соединенных Штатах начала 20-го века. В те дни, когда жители Америки постепенно пересаживаются из лошадиных седел в автомобильные кресла, в западных степях рождается жеребенок, которому суждено стать одним из лучших ковбойских коней современности, грозой прерий и гордостью хозяина.Жеребцу Дым
Если в последнее время вам кажется, что нет большего врага, чем зеркало, если любимые брюки или юбка почему-то не желают застегиваться в талии, значит, пришло время вплотную заняться собственной внешностью. На посещение фитнес-центра просто не хватает времени, а принимать сомнительного качества таблетки для похудения вам не позволяет здравый смысл?Тогда эта книга – именно то, что вам нужно. В ней вы найдете полезные советы и эффективные диеты, ра
Кто-то любит ходить к гадалкам, чтобы узнать «что было, что будет и чем сердце успокоится», кто-то живет в постоянном страхе, не в силах решиться изменить в жизни что-либо, или разгадывает пророчества Нострадамуса. Эта книга не для таких. Судьба, фатум, рок – насколько человек зависим от них? Насколько он может управлять своей жизнью? Что лучше – плыть по воле волн или против течения? Если в какой-то момент вы для себя решили, что ваша жизнь – эт
«Это единственная книга об Уолл-стрит, которая попадает прямо в яблочко», – писали в The New York Sun. «Истории Уолл-стрит» – это сборник из 8 рассказов, в которых автор ярко и достоверно передает атмосферу биржи на рубеже XIX–XX веков. Лефевр был успешным финансовым журналистом и тесно взаимодействовал с публикой Уолл-стрит, поэтому сюжеты его историй основаны на реальных событиях. При этом прототипами действующих лиц являются известные финансис
В современном мире хорошая история решает все. Истории управляют мнением о продуктах, брендах и компаниях. На примере лучших выступлений Джеффа Безоса и легендарных сериалов «Во все тяжкие», «Карточный домик», «Игра престолов», «Молодой папа» автор шаг за шагом деконструирует технику создания захватывающих историй и рассказывает, как вам применить ее на практике. Вооруженные этой книгой, вы сможете создавать сценарии для выступлений, писать цепля